Aside from the overwhelmingly positive response that greeted Fischer's debut, the most pervasive reaction was sheer surprise; indeed, Down Beat's 5-star review dubbed it "the biggest surprise of the year."[4] As jazz historian and critic Martin Williams observes, writing in The Saturday Review:
While struggling to pinpoint Fischer's pianistic forebears, finding elements of both Bill Evans and Dodo Marmarosa, critic Leonard Feather echoes Williams' essential point, noting Fischer's "complete command of the keyboard; unlike Gil Evans, Tadd Dameron, and other arrangers who are secondarily pianists, he can be judged entirely by a pianistic yardstick."[10]
Gramophone's review praises "this superlative album," in part for preventing Fischer from "becoming one of the most neglected figures in jazz."[5] The Atlanta Daily World's Albert Anderson stops short of such hyperbole, but does acknowledge his own surprise:
All compositions by Clare Fischer except where noted.
Side 1
- "Nigerian Walk" (Ed Shaughnessy) - 7:02
- "Toddler" - 4:40
- "Stranger" (Gary Peacock) - 4:00
- "Afterfact" - 4:06
Side 2
- "Free Too Long" - 7:30
- "Piece for Scotty" - 3:13
- "Blues for Home" - 5:09
- "I Love You" (Cole Porter) - 5:13
- Clare Fischer - piano
- Gary Peacock - bass
- Gene Stone - drums
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